DAD-prison

The First Pass

I am a firm believer that the footage will tell you what you can and cannot do with it and Down and Dangerous has proved no exception to the rule. The more time I spend with this footage the better my understanding of its needs has become. On the last feature, that was largely improv-based, I found that I could really only work with and shape one take because the organic rhythms would change too much and you could see my editorial hand in it too much. But the more time I spend with this scripted material I am discovering that not only can I pull from multiple takes, but that I should.

Opening the door to more choices has been freeing yet overwhelming all at the same time. When I’ve been watching the dailies down on this film, I’ll pull the lines that immediately affect me and put them in a separate string-out so they don’t get lost in a sea of takes. I also put them in order and back to back. It can be fun to watch certain lines from different takes go head to head and battle it out.

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